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Martyn Cooling reviews the last in the trilogy of concept albums released by Mark ‘E’ Everett’s Eels – ‘Tomorrow Morning’.
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Erin Kubricki dives into ‘Treats’ the début album from M.I.A favourites Sleigh Bells.
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Tom Revell reviews Klaxons – ‘Surfing The Void’, the eagerly awaited follow up to ‘Myths Of The Near Future’.
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Dan Willis talks us through the heavily anticipated 3rd album from Arcade Fire ‘The Suburbs’.
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Annie McKenzie reviews the latest compilation from Kitsune, produced in collaboration with fashion webmag Ponystep.
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Katie Wilkinson takes a critical look at Flaws; the fantastic new acoustic album from Bombay Bicycle Club.
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Scott Kershaw reviews M.I.A.’s third album, the superstar-producer packed /\/\ /\ Y /\ (Maya).
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Laura Westerby reviews the third album from Mystery Jets – their first on new label Rough Trade.
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Mike Coleman reviews the latest album from 100% not anti-Semetic rapper Matisyahu.
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Cheryl Burns reviews The Boxer, the debut solo album from Kele Okereke of Bloc Party.
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Mike Coleman reviews début album The Music from one of drum & bass’s more creative artists, Blame.
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Scott Kershaw reviews the debut album from much talked about folk rocker Lissie, out on Columbia.
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Katie Wilkinson reviews The Drums’ long awaited self-titled debut album, released this week on Island Records.
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Cheryl Burns reviews the glorious debut release from Oxford-based Stornoway.
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Tom Revell reviews the second compilation album from taste-maker label Moshi Moshi, Singles Club Vol 2.
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Mike Coleman reviews Distant Relatives, the long awaited collaborative album from Damian Marley and Nas.
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Tom Revell guides us through Sea Of Cowards, the latest album from Jack White’s side-project, The Dead Weather.
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Darryl Marsden reviews the latest LP from Band Of Horses; inspired by the band’s native Carolina.
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Daniel Willis reviews Foals’ eagerly awaited second album, released through Transgressive Records.
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Martyn Cooling talks us through We Have Band’s debut album; does it live up to years of hype and expectation?
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Emily Solan reviews the latest album from Sunderland’s greatest export, The Futureheads.
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Rosie Ramsden reviews the debut album from California’s Dum Dum Girls; a perfect scuzzy summer soundtrack.
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Mike Coleman reviews Hench Mixtape: Volume One; a showcase of acts on Jakes Bristol-based label, Hench.
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Mike Coleman reviews the latest album from Ikonika; released through electro stalwarts Hyperdub.
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Katie Wilkinson reviews Head First, the fifth studio album from electro-pop stalwarts Goldfrapp
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Steph Wilson reviews the new LP from the recently renamed Peggy Sue; previously Peggy Sue & The Pirates.
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Mike Coleman reviews Foundation, the latest album from James Boyle aka Breakage.
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Mike Coleman reviews Crookers long awaited début album Tons of Friends.
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Rosie Ramsden reviews Laura Marling’s second album, I Speak Because I Can.
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Sophie Stones reviews the debut release from Dimbleby & Capper; the Slick Maturity EP.
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Darryl Marsden reviews the latest album from Frightened Rabbit and discovers a new found optimism in their work.
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Daniel Willis reviews Marina Diamandis’ much anticipated debut album, The Family Jewels.
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Tom Revell reviews Yeasayers latest LP, discovering an album of peyote-induced campfire anthems.
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Cheryl Burns takes a look at The Big Black & The Blue, the debut LP from First Aid Kit.
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Daniel Willis gives us his extended thoughts on Los Campesinos!’ latest LP, Romance Is Boring.
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Daniel Willis takes a look at Laura Veirs brilliant new LP, July Flame.
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Mike Coleman takes a look at Radioclit’s brand new Saga Africa EP; featuring Douster, Lazy Flow, and Myd.
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Mike Coleman gives us his thoughts on Acolyte, the debut release from Manchester’s Delphic.
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This is not an album – this is a cataclysmic event! Scott Kershaw takes a look at Them Crooked Vultures debut album.
![Review // M.I.A. – /\/\ /\ Y /\](http://ireadfaux.com/wp-content/themes/arras-theme/library/timthumb.php?src=http://ireadfaux.com/wp-content/uploads/2010/07/mia2.jpg&w=195&h=108&zc=1 "Review // M.I.A. – /\/\ /\ Y /\")
